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JOSH S. ROSE

Approach. How to approach an idea. How to be present in any given situation where movement is constant and where there is a fluid relationship to concept, theme or idea. I've thought a bunch about this, but it's largely instinctual. I'm not a dancer, but I see dancers. Like, I really see them. I understand what they are trying to do and why. Even without knowing a choreography, I feel what it's all leading up to, and I'll somehow be, if not at the right place, at least the place they thought I'd be, despite the lack of proscenium  

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